How was made this 80Mb file of a beautiful sunset with a helicopter?

Dramatic landscape panoramic sunset scene with a helicopter as protagonist

This dramatic landscape was the result of a panorama stich made from 24 vertical shots (not 18 as I previously had said in other social media posts) from a balcony looking at the horizon on an October dusk.

Files to be stitched as a panorama in Adobe Lightroom

It is good to advise now that vertical orientation is better to make panoramas and each shot should include 30% of the previous photo in the border side.  This method helps the software to stich the photos better without gaps nor perspective distortion. Well, it is not always the case, but it surely helps a lot, reducing the need of more postproduction work.

Adobe Lightroom made a pretty good job with the Photo Merge Panorama command. I selected the Spherical Projection box because I took the shots standing on one point and moved the camera from left to right in a semicircular movement.

Resulting merged panorama image

Without any cropping or any other edition on the file, I exported the large panorama file as TIFF to work on it in Adobe Photoshop later.

Before working in Photoshop, I selected the photo of the helicopter which I made on a previous clear and bright summer evening from the same spot, with the same camera and the same lens. I selected the one with the helicopter closer in the foreground. I also exported that file in TIFF format.

Original helicopter photo

In Photoshop, I worked with the skyscape file, eliminating dirt spots that are almost always present on sky shots (no matter how frequently I clean the sensor and lens). I also edited some imperfections on the panoramic file, mainly on the balcony lines of the building on the right. I used Selection, Copy, Layer, Mask, Paint, Patch, Content-Aware Fill and clone to get it right. Clouds and trees were aligned perfectly. This image needed a main subject or a protagonist, the helicopter.

The result from the edition made in Adobe Photoshop to fix details from the original panorama from Adobe Lightroom

Helicopter with original color without logos nor lettering

Colorized helicopter

The helicopter file was dragged to the sunset file. It is important to note that, because the helicopter was shot from the same spot, with the same camara and lens, there was no need to Transform-Scale the subject. I only positioned the subject where I wanted. In the helicopter Layer, I Selected-Subject and carefully checked the border (feather and expand on the selection at 1). I made a new Layer with the subject. I colorized to subject in order to make it match with the colors of the sky. I used to Hue/Saturation Clipped Mask for that. I played with the Opacity Level until it was believable. I noticed that the windows of the aircraft hat the blue color of the original shot, so I painted the red sky of the sunset on the windows using layers and playing with the opacity level until it became realistic. Anyway, I had to work with the Clone tool to make the borders of the sky and the helicopter to look perfect.

Finally, I saved the file in Large Photoshop File format. In Lightroom, I made the final crop and work with the contrast, black and saturation.

Final JPG file of the composition with 80Mb in size.

The exported JPG file is 80 Mb. That panoramic format and detailed image in the file are perfect for large format prints like banners, billboards, gigantography, posters and wall decoration in matte, mesh, canvas, glossy, duratrans and other materials.

Thanks for reading. I hope that the content is helpful for you guys.

If you have any comment or question, please, write me at contact@camachophotography.com

We can work together for a better photography world.

Thank you again.

Alejandro Camacho

Some misleading photography production work on social media

Chemnitz, July 18th 2022

Dear friends:

Lately, I have seen many posts on social media that show in a time lapse video “tricks for photos and videos” with people setting up lights, props, flags and objects; taking a picture; sometimes handholding a camera to make a video and finally, in a second, showing a final image as a result of that work.

These posts, that mainly come from TikTok, are likely not from the professional photographers or videographers who have worked on the field for years and have posted for a long time serious creative work, but instead from people that do not even know how to hold a camera or have knowledge of the physics of light. Therefore, I may tag their posts as misleading.

They post short fast forward videos without any word, only with somebody else’s music, an easy process that is not compatible with a professional job for a final high-quality image or reel. And most of the time, the final image cannot be the real outcome without a huge editing work from a specialist.

Those posts may work for creative ideas, but it can be highly frustrating for enthusiasts and new photographers and videographers when they try those exercises without finding good results.

For photographer’s customers, those posts do not represent the professional work they deserve nor the quality of job they should receive. Photographers must achieve almost the final image in the photography session and make final adjustments in postproduction according to client’s briefs in order to deliver the best files or prints possible.

People can post almost whatever they want on social media but lying is never good. My advice for the social media users is: Please, do not believe everything you see on those videos because it seems they are not honest at all.

Nevertheless, I must say that there are extraordinary and highly trained artists photographers and producers who, for many years, have posted their original work that have inspired many of us to try new skills.

Thanks for reading.

Alejandro Camacho